2024 is shaping up to be an exceptional year for actor Chhaya Kadam. With a string of successful releases and notable achievements, she has made her mark internationally. Her film “All We Imagine As Light” became the first Indian film to win the Grand Prix at the 77th Cannes Film Festival, and another of her films, “Sister Midnight,” was screened at Directors’ Fortnight.
Historic Win for “All We Imagine As Light”
“All We Imagine As Light” has etched its name in history by winning the Grand Prix at Cannes, the first Indian film to do so in 30 years. Chhaya Kadam expressed her elation, saying, “It was the first Indian film to be screened at the main competition in 30 years, and we directly won an award! We had a story rooted in our motherland about women like us. For a subject like that to get selected here… I have no words.” This recognition is a testament to the film’s powerful narrative and its deep connection to Indian culture.
Recognition at Cannes
Kadam’s presence at Cannes was further solidified by her role in “Sister Midnight,” which was screened at Directors’ Fortnight. Her performances have not only captured the hearts of audiences but also earned her recognition on an international platform. Reflecting on her experience, Kadam noted, “People in Cannes also recognised me as Manju Mai (from Laapataa Ladies); they would say, ‘hey Manju Mai, Chhaya Kadam’.” This acknowledgment speaks volumes about her impactful performances and growing popularity.
Journey Through Marathi Cinema
Chhaya Kadam’s acting journey began in 2006, and she has since become a prominent figure in Marathi cinema. She starred in acclaimed films such as “Fandry” (2013), “Sairat” (2016), and “Nude” (2018). Despite her current fame, Kadam recalls the challenges she faced earlier in her career. “Earlier, my struggle was to get work; now it is for good work,” she shares. Her perseverance has paid off, as she is now recognized for her talent and dedication.
While Chhaya Kadam enjoys her current success, she remembers a time when her contributions were often overlooked. “Earlier, film reviews would miss out on mentioning my name, even if my character was important. Bura toh bahut lagta tha,” she admits. Determined to change this, Kadam worked tirelessly to ensure her performances could not be ignored. She concludes with a chuckle, “But then I thought I should work so hard that people are compelled to mention my name in their reviews.”