Djordje Stojiljkovic Kalki 2898 AD’s Shares They Faced Many Challenges In Making The Film
The team behind Kalki 2898 AD recently released a video featuring their Director of Photography (DOP), Djordje Stojiljkovic, discussing the challenges encountered during the film’s production. Stojiljkovic recounted receiving a call amidst the pandemic while searching for work. This call led him to travel to Hyderabad, India, where he embarked on the ambitious project.
Djordje Stojiljkovic on Filming Kalki 2898 AD
Reflecting on the production process, Djordje Stojiljkovic highlighted the intricate task of setting up an authentic Indian setting for the film’s scenes, particularly emphasizing the challenges faced in lighting and set design, especially for sequences like Shambhala. Despite these hurdles, he praised the collaborative effort of the entire camera department and other teams involved in bringing the vision to life.
Djordje Stojiljkovic expressed gratitude for the learning opportunities provided by working alongside such talented individuals. He acknowledged that his experience on Kalki 2898 AD had significantly enriched his skills and knowledge, particularly in cinematography and technical aspects of filmmaking.
Moreover, Djordje Stojiljkovic shared his admiration for working under the direction of filmmaker Nag Ashwin, describing it as a fulfilling and educational experience. He lauded Nag Ashwin’s vision and leadership, which contributed to a cohesive and productive atmosphere on set.
The DOP’s insights provide a glimpse into the dedication and teamwork required to overcome the challenges of filming a futuristic narrative like Kalki 2898 AD. Djordje Stojiljkovic’s journey from initial uncertainty to professional growth underscores the resilience and adaptability demanded by the film industry, especially during unprecedented times.